Private capital vs. the internet commonwealth
The
idea of buying and selling for a profit probably originated in
prehistoric times. It was the foundation of Antiquity’s great
trading cities that opposed the military empires of plunder and
tribute. It also brought wealth to the merchant cities of the
Renaissance. However, getting more for less was always tainted with
suspicion. Was the seller being cheated, or was it the ultimate
buyer? Was the first being paid less than the value of his commodity,
or was the second paying more than he should? By the 19th
century it was established that the first did not get the value of
his labour, while the second paid a price that fluctuated with
supply, demand and state intervention (price fixing and taxes). This
clarity of perception came with the progressive mechanisation of
production and the increasing amounts of goods produced.
The
mass production of identical goods goes back to pottery and its early
standard models. Later came the supply of uniform equipment for the
Roman legions. Then there was a break until printing came along. It
began as wood-cuts on paper. Both technologies had come from China,
via the Near-East and returning crusaders. But it was Gutenberg’s
invention of movable type (1450) that started a whole new industry.
Since the beginnings of writing everything had been handwritten. All
of a sudden a machine was doing it better and very much faster. This
new conception brought wealth to some, celebrity to others and power
to a few. Very soon church and state were doing their utmost to
control it. But by 1522, the Renaissance was blooming, Luther had set
off the Reformation and the planet had been circumnavigated.
Information (real and fake) was circulating ever faster and wider,
equalling and overtaking the literary heyday of the early Roman
Empire. Printing transformed human perception from hearing speech to
seeing signs on a page. More information was available and it was
being received differently. And the printing process, with its rapid
succession of repetitive phases, was the prototype machine.
Transforming
heat into movement is a very old idea (1), but it was only in the
17th century that the first attempts were made at lifting
a piston with steam. A century later James Watt put the final touches
to the engine that would drive everything for the next hundred years,
before being phased out by electric and internal combustion power.
Watt’s steam engine was coupled to wheels and to other mechanical
processes and completely modified the notions of speed and time.
Going faster became a constant preoccupation. Before then, wind and
running water had been harnessed, but most activities depended on
human and animal muscle. From then on the power of dozens, hundreds
or thousands of horses was being produced by one machine fuelled by
coal. After the ownership of land and money, the ownership of
machines sent capitalism into its final stage of accumulation.
Capital
by definition brings in a return. This can be rent, interest,
commercial profit, or industrial surplus value including copy and
patent rights. In all cases it is a levy on the value produced by
human activity. For land rent, where ownership gives the right to a
part of the produce, the levy is obvious. As for buildings, rent is
still being paid long after the construction costs have been
redeemed. Interest has occasionally been banned (or brought down to
zero by central banks), but in general it is paid grudgingly as an
element in the financial mysteries of money and credit. Trade is
usually about moving goods from one place to another, from producers
to consumers, so its profitability is masked by transport and
currencies. Machines add value by speeding up the production process
or increasing its scale. They push, turn and lift (calculate, listen,
talk and are beginning to think), but they only add their own value
incrementally and that of their upkeep and fuel. They transmit value
but do not create it. Human activity is bought by the hour, day,
week, month, year, or for a lifetime in slavery. The price of labour
is that of its renewal, and this value is added to the produce.
Transforming matter and producing services add the value of their
costs in land, buildings, machines and labour, but the market price
includes this plus a profit, some of which goes to taxes and
interest. The cost of machines and buildings, of their upkeep and
fuel, is fairly constant. The upkeep of labour can vary from the
direst minimum of sustainable life to something approaching
affluence. It is these variable costs that allow for profits.
The
difference between commercial profits and industrial profits is
explained by Marx’s theory of surplus value. Commercial profit is
about buying and selling at a higher price, money-commodity-more
money. Industrial profit comes from extracting more added value out
of labour than the wages it is paid. Working at the average rate of
productivity, a labourer adds the value of his wage in say five
hours, but the working day he has been hired for lasts eight hours.
Those extra three hours are his employer’s profits. A merchant gets
more money than he has paid. An industrialist gets more goods and
services than he has paid for. The first increases the price, the
second increases the number. Alongside rent and interest, both are
getting more for less. This was the paradox that Marx stumbled on and
was unable to resolve. If everyone, except merchants, pays more than
they are being paid, where does that extra money come from? In fact
the merchants lend it out. If more goods and services are being
produced than are paid for, who is able to buy them? In fact they are
going abroad, where they are transformed into investments (guns for
oil), and credit is being granted at home.
The
printing press was the first mechanism of mass production. It
circulated information and spread uniform literacy, and it was the
seed from which grew the Industrial Revolution. Print and mechanics
created a world in their own image. It was a world of repetitive
tasks in which everything was up for grabs. Print was the dominant
influence on thought and reason for more than four centuries, until
sound came back with gramophones, radios and loudspeakers, and images
with photos, movies and television. Print’s monopoly was broken,
but the system persisted with a centralised control of the new media.
Nevertheless, by its very existence, the diffusion of sound and
images questioned the established order. The arrival of stereo and
colour was the final straw, change was in the air. The 1960’s saw
upheavals just about everywhere, out of which a new perception
emerged, while managing to preserve the old rules of property and
profit.
Society
is shaped by its technology and, as McLuhan has convincingly argued
(2), that is particularly the case for technologies that transmit
information, with weapons close behind. The invention of writing,
especially the phonetic alphabets that are easy to learn, was not
just an archive of available information, it was an organic
transposition from ear and voice to eye and hand. For writing and
reading, the speaking and hearing occur silently in the brain. This
is not the memory of a hear sound, it is sound imagined. Writing had
structured the ancient Greek and Roman worlds, then for about a
millennium it congealed itself in clerical Low Latin. By the 14th
century spoken languages were beginning to be written (Dante,
Chaucer), but it was printing that produced an increasing flow of
translations and original writings. The printed page would model
minds almost exclusively until the advent of the Electronic Age.
The
19th century was engulfed in the silence of reading and
writing. Sound did persist in conversations, in operas, symphonies
and lectures for the upper classes, and in music-halls, brass bands
and assemblies for the rest, but society as a whole was very subdued
and the penalties for excess were severe. The four years of
trench-war butchery ended in 1918 with Gabriel’s trumpet call.
Sound was coming back, in telephones, radios and gramophones. Jazz
and movies were driving the Roaring Twenties. After the Second World
Butchery (mostly civilians this time) ended in 1945, stereo and
coloured images produced a similar effect, with Woodstock as its
symbolic moment. The dissemination of a new technology, especially
those as radically different from the past as print, radio,
television or the internet, puts people into a sort of trance. They
are sleep-walkers (McLuhan). And this secondary state makes them more
easily influenced. However, radio and television were from the
outset, because of their means of diffusion, extremely centralised
and controlled, whereas printing was going on all over the place, and
internet postings can be made by everyone in images, sound and
writing. The media of the 20th century were easy to
centralise and were used as means of social control, though their
effects on perceptions were inherent and transformative. The 21st
century’s medium is the internet, and it has been as difficult to
control as was printing. And, as with print, the strategy is a
massive presence that swamps out smaller sources of content, and a
growing censorship of all contents. Radio and television were owned
by capitalism from the outset. That is also true for internet
providers, but CNN, the BBC, Sky News, etc. make the content they
emit, whereas Facebook and Google do not produce the postings they
show. They can only delete them or give priority to some over others.
And if a site is closed, it can come back immediately under a
different name somewhere else on the net. Capital’s dominion over
what people know and think is full of loopholes. Five hundred years
ago, printing broke the Roman Church’s dominion. Will the internet
in turn offer an alternative to profit capitalism? Will Thatcher’s
claim that “There is no alternative!” be shown to be a lie?
1.
An early steam turbine:
2.
McLuhan’s The Gutenberg galaxy is a fascinating read.